lunes, 26 de mayo de 2014

Sara Collantes: George Harrison - THE QUIET BEATLE

England, 1962: Four hairy boys, who came from the humblest outskirts of Liverpool, released their first smash hit “Love me do”. This refreshing new sound was really well accepted and their music embraced by youngsters all over the world. They were simple yet catchy songs. People really loved them anyway and they knew it. That was the key to their success.

“When I met them it was love at first sight. It wasn’t that they were great singers or great performers or great songwriters. It was that they had enormous charisma, and they were the kind of 
people that you actually felt better being with." George Martin, The Beatles' producer.

At the age of 13 George Harrison was no more than a young skinny English boy, no different from other kids his age. But George had a guitar. His first guitar, which his mother had bought for him after he recovered from a severe flu, cost £3, a huge economic effort for the family after WWII. He was obsessed with R’n’R, especially with Elvis, and he tried to practice and learn as much as he could.

George met Paul McCartney at the school bus and the latter introduced him to John Lennon, as they needed a good guitarist for The Quarrymen, the germ of The Beatles. Despite the skepticism and reluctance shown by John for George to join the band, as he was the youngest, he demonstrated his value as the lead guitarist beyond any expectation. He even turned out to be more skilled than John himself. So the seed of the Beatles had been already planted.

A few years later, in the wake of their monumental success, the different personalities in the band were perfectly distinguished. They were like the four corners of a square. They didn't interfere with each other, but the four of them worked as a whole. John Lennon liked to attract attention; he was outgoing and a bit cantankerous. Paul McCartney was kind of a romantic and egocentric Casanova. Ringo Starr was charismatic and fun to be with. And George Harrison was a mysterious, introverted man with an exceptional taste in music.  

George didn’t have the magnetic and powerful personality of Paul and John (or their baffling egos) nor was he as extroverted and friendly as Ringo. But he had a fascinating and intense character and naturally accepted his condition as the underdog of the band. Lennon and McCartney held the reins (of the band) as they were the most talented and prolific while Harrison was the overshadowed one. The writing talent of the Paul-John duet eclipsed George's, who wasn’t that bad anyway. He only wanted to play good songs which Paul and John gave him.


Some people called Harrison the “quiet Beatle”, although, as Tom Petty said, “he never stopped talking”, and that was part of his appeal. What made him really different is that he didn’t enjoy fame and fortune as much as the others. George started then to feel an indescribable attraction for both Indian culture and its spirituality, whose influence changed him forever. George visited India many times, thus establishing a friendship with Ravi Shankar, who taught him to play the sitar. This mystical way of living wasn’t compatible with George’s life in the material world, not for long at least.


Little by little, George began discovering his hidden talent and started to improve his songwriting skills, while borrowing Indian sounds and concepts from oriental philosophy in his songs. But it wasn’t that easy to include them in an album when Paul and John penned one hit after another. Nevertheless, those compositions became better and better, as good as the others, or even stood out on their own.


The Fab Four finally split up in 1970 but none of them regretted the decision. The overwhelming pressure and growing tension within the band were simply too much to put up with. George once said that he sought for success, not fame. He started then a quiet life away from stardom, but not away from music, since in 1971 he published his first solo album, “All things must pass”, featuring all the songs never recorded with the band. It was praised all over the world, and “My sweet lord”, the jewel of the album, is considered a masterpiece.


George Harrison passed away in 2001 because of a lung cancer. But he died a great artist shining in his own right; he wasn’t just an ex-Beatle anymore. He was, in fact, not just one of the Beatles but their actual soul, the best musician, the true innovator and, quite sadly, frequently underestimated. People used to say that he was the Beatle who had changed the most and that’s because that’s just what life meant to him: change. However, there’s something that will never change: the eternal sunshine of his sincere smile.

I can’t finish without recommending a wonderful documentary directed by Martin Scorsese, “Living in the material World”, which portrays the life of George Harrison both as a Beatle and as an ordinary yet passionate man. It was premiered in 2011 on the tenth anniversary of George’s death. If you like The Beatles as much as I do, you can’t miss it!!    




Thanks a lot, dear Sara! I mean, this post came totally unexpected, which makes it even more pleasing.

And then they were only two. First it had been John who was shot to death. Then, when George died of cancer, I felt so devastated. I had always deemed him the biggest musical talent within the greatest band that ever was. It is true that he often had this kind of aloof, rather mysterious personality punctuated by his love of Hinduism. But he was indeed a great human being and his beautiful songs will stay with us forever.

Like Sara, I cannot but wholeheartedly recommend Scorsese's (a staunch Beatle fan himself) extraordinary film "Living in the Material World", which, luckily enough, is available in its entirety on YouTube (in original version, subtitled in Spanish)

jueves, 1 de mayo de 2014

Eva: NATURE AND MUSIC. A REAL (COMPLETE) EXPERIENCE.

I still remember the day I picked up the phone and listened to my friend Sonia’s voice: 

- “Hi honey, have you heard the news? Sting is going to give a concert in Hoyos del Espino".
- "Are you kidding me?" I answered.
- "Of course not. It’s absolutely true. I’m going to buy tickets for me and some friends in Madrid. Would you like to come with us?”, she asked.
At first I was speechless but then I said, “Sure, I’ll come with you.

Oh my goodness, Sting in Hoyos! It sounded so incredible! A music icon worldwide was going to drop by in a small village with a population of less than 400 inhabitants in the Sierra de Gredos. But like most things in life, there was an explanation.
The "natural" venue in Gredos
The Junta de Castilla y Leon opened the season with that concert called “Musicians in Nature”, a way to raise awareness of the respect for natural areas and also to promote them and what a better choice than Sting, a renowned activist and the philanthropist founder of the Rain Forest Foundation.

After the controversy generated among environmental movements, the initial location within the Regional Park of the Sierra de Gredos had been transferred to its limits, on a vast esplanade surrounded by pine forests and mountains.

Some months later I was able to arrange my schedule for the day of the event so I was absolutely delighted. And our musical date arrived. We organized ourselves in several cars and started our trip to the charming and lovely village.


On arrival we found a crowded place, cars and buses concentrated in tiny streets and in a jam-packed car-park. The atmosphere was electrifying and festive, and we bumped into many familiar faces. We heard people say that the star had arrived by helicopter just in time to see England’s defeat against Portugal in the World Cup.

Gordon Matthew Thomas, Sting’s real name, appeared on stage with his guitar playing the chords of the legendary “Message in a bottle” before proceeding with “Synchronicity”. He was alternating songs from his mythical band The Police with others from his solo career. “If you love somebody set them free”, “Every breath you take”, “Englishman in New York”, “Shape of my heart”, “Fields of gold”, “Walking on the moon” or “Roxanne” were, to name a few, part of his repertoire.


Truly unforgettable was the way back to town walking along a path lit by the soft moonlight and the perfectly aligned lanterns of volunteers while everybody was singing camp songs.

Songs evoke moments and I don’t know the reason why my heart has chosen “Fragile” to fill it with memories of that warm night of July. So every time I listen to this beautiful song I can’t help feeling transported to that time and I can almost sense the heat and the intense smell of pine and nature.

The magic of the moment and the music as well as the heat of that night, wrapped in a canopy of stars, made that evening memorable and surely it will remain in the minds of those who shared an experience that provided us with an incomparable setting and the infinite music of an awesome artist with a capital "A".


Dear Eva, it's great to see that, after almost one and a half long years, you have made up your mind to write a post for the blog, so congrats and a big, big thank you!

Well, it's amazing how vividly you can remember an event that took place back in July 2006, so it must obviously have made an impression on you, and understandably so, since Sting is undoubtedly a fantastic artist. I am very fond of both his solo career as indeed of his glorious years with The Police, one of my fave bands of the late 70s / early 80s.

What can I say about Eva's choice, Fragile, to me one of the finest songs of Sting's second album as a solo artist, "Nothing like the Sun", a vinyl record which I treasure to this date. A really moving intimate song which actually is inspired by the sad controversial story of an American engineer murdered by the then US-supported "Contras" in Nicaragua in 1987:


If blood will flow when flesh and steel are one
Drying in the color of the evening sun
Tomorrow's rain will wash the stains away
But something in our minds will always stay

Perhaps this final act was meant
To clinch a lifetime's argument
That nothing comes from violence and nothing ever could
For all those born beneath an angry star
Lest we forget how fragile we are

On and on the rain will fall
Like tears from a star, like tears from a star
On and on the rain will say
How fragile we are, how fragile we are

Beautiful lyrics, aren't they? This is the lovely, somewhat minimalist original videoclip which Sting made for the song, where he - rather oddly I dare say - plays an acoustic (Spanish?) guitar:


Eva may not know that some time later Sting recorded the complete album in Spanish (and Portuguese too), under the name of "Nada como el Sol". Even if I never thought much of the Spanish cover of Fragilidad (honestly, I can't help but find the translation kind of weird at times), I've decided to embed this clip below for the sake of the evocative, well-known photographs used in the black & white montage, which suitably reminds us, these days more than ever, that "nothing comes from violence and nothing ever could" ("Nada se logra con violencia ni se logrará", Sting sings in his funny Spanish accent) ...